{"id":10,"date":"2020-01-29T00:25:30","date_gmt":"2020-01-29T00:25:30","guid":{"rendered":"http:\/\/juan-navarro.es\/?page_id=10"},"modified":"2025-01-14T14:38:17","modified_gmt":"2025-01-14T14:38:17","slug":"biografia","status":"publish","type":"page","link":"https:\/\/juan-navarro.es\/index.php\/biografia\/","title":{"rendered":"BIOGRAF\u00cdA"},"content":{"rendered":"\n<div class=\"wp-block-group alignwide has-subtle-background-background-color has-background\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns alignfull is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<div style=\"height:45px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/8LApdjhzT_E\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"><\/iframe>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h3 class=\"wp-block-heading has-text-color\" style=\"color:#ffffff\"><strong>Juan Navarro<\/strong> <\/h3>\n\n\n\n<p class=\"has-text-color\" style=\"color:#ffffff\">+34 629 346 771<\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#ffffff\"> <a href=\"mailto:carbura69@gmail.com\">carbura69@gmail.com<\/a><\/p>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-853cfe52-4ee7-4a09-9678-362c419eaaa4\" href=\"https:\/\/juan-navarro.es\/wp-content\/uploads\/JUAN_NAVARRO-CV_2025-1.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">CURR\u00cdCULUM<\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-accent-color has-css-opacity has-accent-background-color has-background is-style-default\"\/>\n\n\n\n<div class=\"wp-block-columns alignfull is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1080\" height=\"1440\" src=\"https:\/\/juan-navarro.es\/wp-content\/uploads\/JN2020-Bio_foto.jpg\" alt=\"\" class=\"wp-image-218\" srcset=\"https:\/\/juan-navarro.es\/wp-content\/uploads\/JN2020-Bio_foto.jpg 1080w, https:\/\/juan-navarro.es\/wp-content\/uploads\/JN2020-Bio_foto-225x300.jpg 225w, https:\/\/juan-navarro.es\/wp-content\/uploads\/JN2020-Bio_foto-768x1024.jpg 768w\" sizes=\"auto, (max-width: 1080px) 100vw, 1080px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h4 class=\"wp-block-heading has-text-color\" style=\"color:#ffffff\"><strong>TEATRO<\/strong> <\/h4>\n\n\n\n<p class=\"has-text-color has-large-font-size\" style=\"color:#ffffff\"><strong>DIRECCI\u00d3N ESC\u00c9NICA<\/strong> <\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#ffffff\">&#8211; <strong><em>\u201c<a href=\"https:\/\/juan-navarro.es\/index.php\/creacion\/#ELCORO\">El Coro \u00bfPara qu\u00e9 sirve la tragedia?<\/a>\u201d<\/em><\/strong>. Estreno abril 2023.<\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#ffffff\">&#8211; <strong><em>\u201c<a href=\"https:\/\/juan-navarro.es\/index.php\/creacion\/#ALQUILA\">Se alquila. Archivo vivo del actor<\/a>\u201d<\/em><\/strong>. Proyecto con Oscar Cornago. 2019\/2021.<\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#ffffff\"><em>&#8211; <strong>\u201c<a href=\"https:\/\/juan-navarro.es\/index.php\/creacion\/#ELAPS\">En lo alto para siempre<\/a>\u201d<\/strong><\/em>. David Foster Wallace. Temprada Alta, Teatre Lliure 2019\/2020.<\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#ffffff\"><strong><em>&#8211; \u201c<\/em><\/strong><em><a href=\"https:\/\/juan-navarro.es\/index.php\/creacion\/#BOSQUE\">El Bosque<\/a><\/em><strong><em>\u201d<\/em><\/strong>. Festival TNT Terrassa 2018. Coodirecci\u00f3n Pablo Gisbert. <\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#ffffff\">&#8211; <strong><em>\u00ab<a href=\"https:\/\/juan-navarro.es\/index.php\/creacion\/#BUUTR\">Burgos &lt;U&gt; Tr\u00f3pico<\/a>\u00ab<\/em><\/strong>. 20\u00ba Aniversario Festival Escena Abierta. Burgos 2018.<\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#ffffff\">&#8211; <strong><em>\u201c<a href=\"https:\/\/juan-navarro.es\/index.php\/creacion\/#NOIAI\">No-one is an island<\/a>\u201d<\/em><\/strong>. Humain Trop Humain. Montpellier 2017. <\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#ffffff\">&#8211; <strong><em>\u201c<a href=\"https:\/\/juan-navarro.es\/index.php\/creacion\/#EPELT\">El Para\u00edso es un lugar Tranquilo<\/a>\u201d<\/em><\/strong>. Festival Grec 2014. Antic Teatre, Barcelona. <\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#ffffff\">&#8211; <strong><em>\u201c<a href=\"https:\/\/juan-navarro.es\/index.php\/creacion\/#PEPRI\">Peque\u00f1o Preludio Inmortal<\/a>\u201d<\/em>.<\/strong> Producci\u00f3n SGAE. Sala Berlanga, Madrid. 2013.<\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#ffffff\"><em><strong>&#8211; \u201c<a href=\"https:\/\/juan-navarro.es\/index.php\/creacion\/#TALA\">Tala<\/a>\u201d<\/strong><\/em><strong><em>. <\/em><\/strong>Festival Temporada Alta, Gerona 2011.<\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#ffffff\">&#8211; <strong><em>\u201c<a href=\"https:\/\/juan-navarro.es\/index.php\/creacion\/#GRITO\">El grito N\u00ba 1<\/a>\u201d.<\/em><\/strong> Festival Rompeolas, San Sebastian 2011. <\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#ffffff\">&#8211; <strong><em>\u201c<a href=\"https:\/\/juan-navarro.es\/index.php\/creacion\/#NANCY\">Nancy Spungen<\/a>\u201d. <\/em><\/strong>Antic Teatre, Barcelona 2011.<\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#ffffff\">&#8211; <strong><em>\u201c<a href=\"https:\/\/juan-navarro.es\/index.php\/creacion\/#BABY\">Baby<\/a>\u201d,<\/em><\/strong> Teatro Luis Peraza, Caracas, Venezuela 2010.<\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#ffffff\">&#8211; <strong><em>\u201c<a href=\"https:\/\/juan-navarro.es\/index.php\/creacion\/#DARKF\">Dark figurantes<\/a>\u201d,<\/em><\/strong> proyecto, \u201cLa Corporaci\u00f3\u201d, Nau Ivanov, Barcelona 2009.<\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#ffffff\">&#8211; <strong><em>\u201c<a href=\"https:\/\/juan-navarro.es\/index.php\/creacion\/#IMPOS\">El Impossible<\/a>\u201d,<\/em><\/strong> Fanc Festival, Gerona 2008.<\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#ffffff\">&#8211; <em><strong>\u201c<a href=\"https:\/\/juan-navarro.es\/index.php\/creacion\/#HOBBY\">Hobby<\/a>\u201d<\/strong><\/em>, festival&nbsp; Mapa, Gerona 2007.<\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#ffffff\">&#8211; <strong><em>\u201c<a href=\"https:\/\/juan-navarro.es\/index.php\/creacion\/#AGRIO\">Agrio Beso<\/a>\u201d,<\/em><\/strong> Sala Apolo, Barcelona 2007. Producci\u00f3n ICAC.<\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#ffffff\">&#8211; <strong><em>\u201c<a href=\"https:\/\/juan-navarro.es\/index.php\/creacion\/#FFPP\">Fiestas populares<\/a>\u201d<\/em><\/strong> , Mercat de les Flors, Barcelona 2005<\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#ffffff\">&#8211; <strong><em>\u201c<a href=\"https:\/\/juan-navarro.es\/index.php\/creacion\/#MIESI\">Miedo al silencio<\/a>\u201d,<\/em><\/strong> Strassenbahndepot de Berl\u00edn 1996.<\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#ffffff\">&#8211; <strong><em>\u201c<a href=\"https:\/\/juan-navarro.es\/index.php\/creacion\/#RACAR\">Radio Carburante<\/a>\u201d<\/em><\/strong>, Producci\u00f3n Teatro para un Instante 1994.<\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#ffffff\"><strong>Artista residente en Teatro Nacional de Montpellier. Humain Trop Humain. Dirigido por Rodrigo Garc\u00eda. Entre los a\u00f1os 2015\/18.<\/strong><\/p>\n\n\n\n<p class=\"has-text-color has-large-font-size\" style=\"color:#ffffff\"><strong>ACTOR Y COLABORACIOONES<\/strong><\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#ffffff\"><strong>Cia. Susanna Barranco<\/strong><\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#ffffff\">&#8211; \u00ab<strong><em>V7 el arte de silenciar\u00bb.<\/em><\/strong> 2024\/25<\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#ffffff\"><strong>Cia. Ensalle<\/strong><\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#ffffff\">&#8211; \u00ab<strong><em><a href=\"https:\/\/juan-navarro.es\/index.php\/souvenirs-esceniques\/#BIVI\">Baleiro<\/a>\u00ab.<\/em><\/strong> Proyecto de creaci\u00f3n colectiva. Estreno Sala Ensalle (Vigo). Marzo 2025.<\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#ffffff\">&#8211; \u00ab<strong><em><a href=\"https:\/\/juan-navarro.es\/index.php\/souvenirs-esceniques\/#BIVI\">Proyecto SOBRE<\/a>\u00ab.<\/em><\/strong> A partir del texto de Pedro Fresneda. 2024.<\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#ffffff\"><strong>Jan Lawers.<\/strong><\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#ffffff\">&#8211; \u00ab<strong><em><a href=\"https:\/\/juan-navarro.es\/index.php\/souvenirs-esceniques\/#BIVI\">Billy&#8217;s <\/a>Joy\u00bb.<\/em><\/strong> A partir de las comedias de Shakespeare. Festival Grec (BCN) 2024.<\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#ffffff\">&#8211; \u00ab<strong><em><a href=\"https:\/\/juan-navarro.es\/index.php\/souvenirs-esceniques\/#BIVI\">Billy&#8217;s Violence<\/a>\u00ab.<\/em><\/strong> A partir de las tragedias de Shakespeare, Teatre Nacional de Catalunya y Festival Grec (Barcelona) 2021.<\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#ffffff\">&#8211; \u00ab<strong><em><a href=\"https:\/\/juan-navarro.es\/index.php\/souvenirs-esceniques\/#BETBE\">Begin The beguin de John Cassavetes<\/a>\u00ab.<\/em><\/strong> Humain trop Humain, Montpellier 2017.<\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#ffffff\"><strong>Markus \u00d6hrn.<\/strong> <\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#ffffff\"><strong><em>&#8211; \u00ab<a href=\"https:\/\/juan-navarro.es\/index.php\/souvenirs-esceniques\/#TWTIF\">To walk the infernal fields<\/a><\/em><\/strong>\u00ab. Humain Trop Humain, Montpellier 2016.<\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#ffffff\"><strong>Joao Galante y Ana Borralho.<\/strong> <\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#ffffff\">&#8211; \u00ab<strong><em><a href=\"https:\/\/juan-navarro.es\/index.php\/souvenirs-esceniques\/#AMPL\">Allez mourir plus loin<\/a><\/em><\/strong>\u00ab. Humain Trop Humain, Montpellier 2016.<\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#ffffff\"><strong>Luis Garay.<\/strong><\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#ffffff\">&#8211; \u00ab<strong><em><a href=\"https:\/\/juan-navarro.es\/index.php\/souvenirs-esceniques\/#COCOO\">Cocooning<\/a>\u00ab. <\/em><\/strong>Festival Montpellier Dance, Humain Trop Humain 2015.<\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#ffffff\"><strong>Roger Bernat, Cia FFF.<\/strong> Direcci\u00f3 Roger Bernat.<\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#ffffff\">&#8211; \u00ab<strong><em><a href=\"https:\/\/juan-navarro.es\/index.php\/souvenirs-esceniques\/#DESPA\">Desplazamiento del Palacio de la Moneda<\/a>\u00ab. <\/em><\/strong>Festival Santiago a Mil. Chile 2014.<\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#ffffff\"><strong>Teatre Lliure: <\/strong>Direcci\u00f3n Xavier Albert\u00ed,Roger Bernat,Jordi Casanovas, Nao Albet, Marcel Borr\u00e1s.<\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#ffffff\">&#8211; \u00ab<strong><em>Dictadura, Transici\u00f3, Democr\u00e0cia<\/em><\/strong>\u00ab. Barcelona 2010.<\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#ffffff\"><strong>La Carnicer\u00eda Teatro:<\/strong> Direcci\u00f3n Rodrigo Garc\u00eda. 2001-2012.<\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#ffffff\">&#8211; <strong><em>\u201c<a href=\"https:\/\/juan-navarro.es\/index.php\/souvenirs-esceniques\/#4\">4<\/a>\u201d<\/em><\/strong>. Humain Trop Humain. Montpellier. 2015<br>&#8211; <strong><em>\u201c<a href=\"https:\/\/juan-navarro.es\/index.php\/souvenirs-esceniques\/#GOLPI\">G\u00f3lgota Picnic<\/a>\u201d<\/em><\/strong>. Centro Dram\u00e1tico Nacional.Madrid. 2011-2012.<br>&#8211; <strong><em>\u00ab<a href=\"https:\/\/juan-navarro.es\/index.php\/souvenirs-esceniques\/#MREUC\">Muerte y reencarnaci\u00f3n en un cowboy<\/a>\u00ab<\/em><\/strong>. TNB, Teatro Nacional de Breta\u00f1a, Francia. Nov 2009.<br>&#8211; <strong><em>\u201c<a href=\"https:\/\/juan-navarro.es\/index.php\/souvenirs-esceniques\/#AVMSC\">A veces me siento tan cansado que hago estas cosas<\/a>\u201d<\/em><\/strong>. Festival de Sitges, 2000.<br>&#8211; <strong><em>\u201c<a href=\"https:\/\/juan-navarro.es\/index.php\/souvenirs-esceniques\/#ROMAC\">La historia de Ronald, el payaso de Mc. Donalds<\/a>\u201d<\/em><\/strong>. Citemor, Portugal 2002.<br>&#8211; <strong><em>\u201c<a href=\"https:\/\/juan-navarro.es\/index.php\/souvenirs-esceniques\/#AGAME\">Agamenon<\/a>\u201d<\/em><\/strong>. Gibelina, Sicilia 2003.<br>&#8211; <strong><em>\u201c<a href=\"https:\/\/juan-navarro.es\/index.php\/souvenirs-esceniques\/#2186\">2186<\/a>\u201d<\/em><\/strong>. Festival Drodessera, Italia 2007.<\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#ffffff\"><strong>Cia. Marta Gal\u00e1n: <\/strong>Direcci\u00f3n Marta Gal\u00e1n.<\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#ffffff\">&#8211; <strong><em>\u00ab<a href=\"https:\/\/juan-navarro.es\/index.php\/souvenirs-esceniques\/#FORVIN\">Forasters vindran&#8230;<\/a>\u00ab<\/em><\/strong> . Teatre Lliure de Barcelona. 2021.<\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#ffffff\"> &#8211; <strong><em>\u00ab<a href=\"https:\/\/juan-navarro.es\/index.php\/souvenirs-esceniques\/#ELDDD\">Els diners, el desig, els drets<\/a>\u00ab<\/em><\/strong>. Sala Planeta. 2019.<br>&#8211; <strong><em>\u00ab<a href=\"https:\/\/juan-navarro.es\/index.php\/souvenirs-esceniques\/#PRINS\">Prot\u00e9geme, Instr\u00fayeme<\/a>\u00ab<\/em><\/strong>. Teatre Lliure. 2008.<\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#ffffff\"><strong>General Electrica: <\/strong>Direcci\u00f3n Roger Bernat.<\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#ffffff\">&#8211; <strong><em>\u201c<a href=\"https:\/\/juan-navarro.es\/index.php\/souvenirs-esceniques\/#FLORS\">Flors<\/a>\u201d<\/em><\/strong>. Festival Grec 2000.<br>&#8211; <strong><em>\u201c<a href=\"https:\/\/juan-navarro.es\/index.php\/souvenirs-esceniques\/#QAETB\">Que alg\u00fa em tapi la boca<\/a>\u201d<\/em><\/strong>. Teatre Nacional de Catalunya 2001.<br>&#8211; <strong><em>\u201c<a href=\"https:\/\/juan-navarro.es\/index.php\/souvenirs-esceniques\/#TRI70\">Trilog\u00eda 70<\/a>\u201d<\/em><\/strong>. Festival Grec 2001.<br>&#8211; <strong><em>\u201c<a href=\"https:\/\/juan-navarro.es\/index.php\/souvenirs-esceniques\/#BOGEN\">Bona Gent<\/a>\u201d<\/em><\/strong>. Mercat de les flors 2003.<br>&#8211; <strong><em>\u00ab<a href=\"https:\/\/juan-navarro.es\/index.php\/souvenirs-esceniques\/#BOINT\">Bones Intencions<\/a>\u00ab<\/em><\/strong> . Teatre Lliure 2003.<br>&#8211; <strong><em>\u00ab<a href=\"https:\/\/juan-navarro.es\/index.php\/souvenirs-esceniques\/#LALAL\">La La La La La<\/a>\u00ab<\/em><\/strong> . Teatre Lliure y Mercat de les flors 2004.<\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#ffffff\"><strong>Teatro Romea&nbsp;:<\/strong> Direcci\u00f3n Ferr\u00e1n Madico. 2001. <\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#ffffff\">&#8211; <strong><em>\u201cBodas de Sangre\u201d<\/em><\/strong>, personaje: Leonardo.<\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#ffffff\"><strong>La fura dels Baus:<\/strong><\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#ffffff\">&#8211; <strong><em>\u201c<a href=\"https:\/\/juan-navarro.es\/index.php\/souvenirs-esceniques\/#SUOSU\">Suz o Suz<\/a>\u201d<\/em><\/strong> 1990.<br>&#8211; <strong><em>\u201c<a href=\"https:\/\/juan-navarro.es\/index.php\/souvenirs-esceniques\/#TIMON\">Tier Mon<\/a>\u201d<\/em><\/strong> 1990. <br>&#8211; <strong><em>\u201c<a href=\"https:\/\/juan-navarro.es\/index.php\/souvenirs-esceniques\/#NOUN\">Noun<\/a>\u201d<\/em><\/strong>  1991.<br>&#8211; <strong><em>\u201c<a href=\"https:\/\/juan-navarro.es\/index.php\/souvenirs-esceniques\/#MANES\">Manes<\/a>\u201d<\/em><\/strong> 1996, (direcci\u00f3n de actores).<br>&#8211; <strong><em>\u201c<a href=\"https:\/\/juan-navarro.es\/index.php\/souvenirs-esceniques\/#OMBRA\">Ombra<\/a>\u201d<\/em><\/strong>, 1998, Texto: Federico Garc\u00eda Lorca.<\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#ffffff\"><strong>Centro Andaluz de Teatro:<\/strong> Direcci\u00f3n Sara Molina.<\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#ffffff\">&#8211; <strong><em>\u00ab<a href=\"https:\/\/juan-navarro.es\/index.php\/souvenirs-esceniques\/#DRFAU\">Doctor Fausto, supongo<\/a>\u201d<\/em><\/strong>, personaje: Mefist\u00f3feles.1996.<\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#ffffff\"><strong>Dance lab:<\/strong> Direcci\u00f3n Anita Saij. Copenhague, Dinamarca.<\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#ffffff\">&#8211;<strong><em> \u201cEdipo Rey\u201d<\/em><\/strong>, Kannon Hallen 95. Copenhagen.<br>&#8211; <strong><em>\u201c<a href=\"https:\/\/juan-navarro.es\/index.php\/souvenirs-esceniques\/#ACINF\">Acid Cirq, Inferno<\/a>\u201d<\/em><\/strong>, \u201c Copenhagen 96, Capital cultural\u201d.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-accent-color has-css-opacity has-accent-background-color has-background\"\/>\n\n\n\n<h4 class=\"wp-block-heading has-text-color\" style=\"color:#ffffff\"><strong>CINE Y TELEVISI\u00d3N<\/strong><\/h4>\n\n\n\n<p class=\"has-text-color\" style=\"color:#ffffff\">&#8211; <strong><em>\u201cEl truco del manco\u201d<\/em><\/strong>. (largometraje). Direcci\u00f3n Santiago Zannou. Media Films, Barcelona. 2008.<br>&#8211; <strong><em>\u201cRivales\u201d<\/em><\/strong>. (Largometraje). Direcci\u00f3n Fernando Colomo. Madrid. 2007.<br>&#8211; <strong><em>\u201cPretextos\u201d<\/em><\/strong>. (Largometraje). Direcci\u00f3n Silvia Munt. Ovideo, Barcelona. 2007.<br>&#8211; <strong><em>\u201c<a href=\"https:\/\/juan-navarro.es\/index.php\/films\/#REMAK\">Remake<\/a>\u201d<\/em><\/strong>. (Largometraje). Direcci\u00f3n, Roger Gual. Ovideo, Barcelona. 2006.<br>&#8211; <strong><em>\u201cEl cor de la ciutat\u201d<\/em><\/strong>. (Serie de TV). TV3  Barcelona.<br>&#8211; <strong><em>\u201cHay Motivo\u201d<\/em><\/strong>. (Cortometraje). Direcci\u00f3n Isabel Coixet. 2004.<br>&#8211; <strong><em>\u201cPor estar contigo\u201d<\/em><\/strong>.  (Cortometraje). Direcci\u00f3n Teresa Marcos. 2000.<br>&#8211; <strong><em>\u201cGo for gold\u201d<\/em><\/strong>. (Largometraje). Direcci\u00f3n Lucian Segura. Producci\u00f3n Wim Wenders. 1996.<br>&#8211; <strong><em>\u201cJan und Mark\u201d<\/em><\/strong>. (Cortometraje). Direcci\u00f3n Reinhard G\u00fcnzler. TV Ard, Berlin.<br>&#8211; <strong><em>\u201cPagats per riure\u201d <\/em><\/strong>(Serie de Tv.) Direcci\u00f3n Agust\u00ed Vila. TV3 Barcelona.<br>&#8211; <strong><em>\u201cSue\u00f1o L\u00edquido\u201d<\/em><\/strong>. (Cortometraje).Direcci\u00f3n Rafael Navarro. Junta de Andaluc\u00eda.<br>&#8211; <strong><em>\u201c180\u00ba\u201d<\/em><\/strong>. (Cortometraje). Direcci\u00f3n Alfonso Gil. Producci\u00f3n Junta de Andaluc\u00eda.<br>&#8211;  <strong><em>\u201cPans and Company\u201d <\/em><\/strong>(Spots de Publicidad). Realizaci\u00f3n Isabel Coixet.<br>&#8211; <strong><em>\u201c Coca cola\u201d<\/em><\/strong> , Realizaci\u00f3n Isabel Coixet.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-accent-color has-css-opacity has-accent-background-color has-background\"\/>\n\n\n\n<h4 class=\"wp-block-heading has-text-color\" style=\"color:#ffffff\"><strong>CURSOS IMPARTIDOS<\/strong><\/h4>\n\n\n\n<p class=\"has-text-color\" style=\"color:#ffffff\">&#8211; <strong><em>\u00abEmotional training for a new era\u00bb.<\/em><\/strong> CALARTS, California Institute of arts. LA. USA. Enero 2025.<br>&#8211; <em><strong>\u00abEstrategias para la fiesta:<\/strong><\/em><strong>\u00bb <\/strong>Universidad nacional de Bogot\u00e1. Maestr\u00eda de artes vivas 2024. <br>&#8211; <strong><em>\u00abDelirium Tremens, Vol 2: El cuerpo<\/em>\u00ab. <\/strong>Universidad de San Jos\u00e9,\u00a0 Costa Rica. Oct 2020. <br>&#8211; <strong><em>\u00ab\u00catre et jouer\u00bb<\/em><\/strong>. Proyecto internacional de investigaci\u00f3n esc\u00e9nica. La Manofacture, Lausanne 2020\/2021. <br>&#8211; <strong>Master Universidad Paul Valery<\/strong>. Montpellier 2018, 2019. <br>&#8211; <strong>Master Esc\u00e9nicas<\/strong>. Escuela Manufacture Lausanne. 2017. <br>&#8211; <strong>Creaci\u00f3n experimental. <\/strong>Master esc\u00e9nicas, Universidad Paul Valery. 2017. <br>&#8211; <strong>Arts University Aarhus (Dinamarca).<\/strong> Una historia en un cuerpo o +. 2016. <br>&#8211; <strong><em>\u00abLaboratorio de experimentaci\u00f3n sobre la obra de David Foster Wallace\u00bb<\/em><\/strong>. Humain trop Humain 2015.<br>&#8211; <strong>Universidad Paul Valery.<\/strong> El juego y el deseo, pr\u00e1cticas esc\u00e9nicas.Montpellier. 2015.<br>&#8211; <strong>Institut del Teatre. <\/strong>Barcelona. Otras dramaturgias. 2014.<br>&#8211; <strong><em>\u201cDirecci\u00f3n y Dramaturgia\u201d<\/em><\/strong>. Institut del Teatre. Barcelona 2014.<br>&#8211; <strong><em>\u201cPr\u00e1ctica esc\u00e9nica sobre el exceso, solo para chicas\u201d<\/em><\/strong>. Garage 29. Bruselas 2013.<br>&#8211; <strong><em>\u201cTaller de creaci\u00f3n esc\u00e9nica sobre lo no vivido\u201d.<\/em><\/strong> Festival do Rua de Porto Alegre, Brasil 2013.<br>&#8211; <strong><em>\u201cSimulacros, trambas y algunos equilibrios precarios de la ciudad\u201d<\/em><\/strong>. Pamplona 2012.<br>&#8211; <strong><em>\u201cDivagaciones sobre la guerra y otros espejismos dom\u00e9sticos contempor\u00e1neos\u201d<\/em><\/strong>. Taller de creaci\u00f3n. Garage 29, Bruselas 2012.<br>&#8211; <strong><em>\u201cGracias a que somos todos impostores\u201d<\/em><\/strong>. Taller de creaci\u00f3n. La poderosa, Barcelona 2011.<br>&#8211; <strong><em>\u201cBaby\u201d<\/em><\/strong>, Taller de creaci\u00f3n. Embajada de Espa\u00f1a en Caracas, Venezuela. 2010.<br>&#8211; <strong>Maestr\u00eda sobre Artes Esc\u00e9nicas<\/strong>. Bogot\u00e1, Colombia. Universidad Nacional. 2008.<br>&#8211; <strong>Aula de Teatro<\/strong>. Universidad Pompeu Fabra, Barcelona. 2004.<br>&#8211; <strong>Aproximaci\u00f3n a la performance<\/strong>. Escuela Superior de Dise\u00f1o Elisava, Barcelona. 2000.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-accent-color has-css-opacity has-accent-background-color has-background\"\/>\n\n\n\n<h4 class=\"wp-block-heading has-text-color\" style=\"color:#ffffff\"><strong>FORMACI\u00d3N ACAD\u00c9MICA<\/strong><\/h4>\n\n\n\n<p class=\"has-text-color\" style=\"color:#ffffff\">&#8211; Estudios de Ciencias Pol\u00edticas, Universidad Complutense de Madrid. 1987-89.<br>&#8211; Arte Dram\u00e1tico. Laboratorio de Teatro \u201cWilliam Layton\u201d. Madrid. 1987-90.<br>&#8211; \u201cCompa\u00f1\u00eda Pina Bausch\u201d. Seminario anual de Danza-Teatro. Direcci\u00f3n N. Panadero. 1986.<br>&#8211; \u201cThe Circus Space\u201d. Seminario de t\u00e9cnicas circenses. London. 1990.<br>&#8211; \u201cCurso de verano de Interpretaci\u00f3n\u201d, Institut del Teatre. Barcelona. 1988.  <\/p>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Juan Navarro +34 629 346 771 carbura69@gmail.com TEATRO DIRECCI\u00d3N ESC\u00c9NICA &#8211; \u201cEl Coro \u00bfPara qu\u00e9 sirve la tragedia?\u201d. Estreno abril 2023. &#8211; \u201cSe alquila. Archivo vivo del actor\u201d. Proyecto con Oscar Cornago. 2019\/2021. &#8211; \u201cEn lo alto para siempre\u201d. David Foster Wallace. Temprada Alta, Teatre Lliure 2019\/2020. &#8211; \u201cEl Bosque\u201d. Festival TNT Terrassa 2018. Coodirecci\u00f3n [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-10","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/juan-navarro.es\/index.php\/wp-json\/wp\/v2\/pages\/10","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/juan-navarro.es\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/juan-navarro.es\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/juan-navarro.es\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/juan-navarro.es\/index.php\/wp-json\/wp\/v2\/comments?post=10"}],"version-history":[{"count":43,"href":"https:\/\/juan-navarro.es\/index.php\/wp-json\/wp\/v2\/pages\/10\/revisions"}],"predecessor-version":[{"id":1504,"href":"https:\/\/juan-navarro.es\/index.php\/wp-json\/wp\/v2\/pages\/10\/revisions\/1504"}],"wp:attachment":[{"href":"https:\/\/juan-navarro.es\/index.php\/wp-json\/wp\/v2\/media?parent=10"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}